The greatest enemy of art
on paper is probably the paper itself. The types of fibers and fillers
used in its manufacture will ultimately determine how long the paper
will survive. Another important factor is the environment it is stored
or displayed in. This is especially true for paper manufactured with the
addition of wood pulp which is acid producing. The acidity slowly destroys
the fibers and thus such paper is doomed to eventual self-destruction.
As paper is very capable
of absorbing and binding contaminants from the air older pieces may
become yellow or brown, may develop colonies of fungus or become hard
and brittle. The paper conservator's principal job is therefore to
ensure its longevity.
Many works of art on paper are a combination of
various techniques. A
mixture of media present specific and complex problems in
conservation and restoration. Previous restorations, mounting on to
board etc usually cause further complications.
Work always starts with an
analysis of the state of preservation of the
support and the techniques used in creating the artwork.
If mechanical damage or discoloration is present, the
possible avenues to corrective action are then
recommended to preserve the piece.
If restoration is
required, the degree of recommended intervention is discussed with
the client with respect to the eventual expected
appearance of the piece. We also offer consultation regarding safe storage
and general care and maintenance of works of art on paper.
For an example of a
complex restoration click here.
